{"id":77,"date":"2019-07-09T14:52:57","date_gmt":"2019-07-09T12:52:57","guid":{"rendered":"http:\/\/dev.virginieyassef.net\/?page_id=77"},"modified":"2026-03-30T17:17:37","modified_gmt":"2026-03-30T15:17:37","slug":"txt","status":"publish","type":"page","link":"https:\/\/virginieyassef.net\/en\/txt\/","title":{"rendered":"TXT"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-77","page","type-page","status-publish","hentry"],"grid":"{\"colCount\":12,\"colGutter\":1,\"rowGutters\":[8,2,8,8,8,8,8,8,8],\"frameMargin\":8,\"topFrameMargin\":8,\"bottomFrameMargin\":1,\"rowAttrs\":[{\"relid\":1},{\"relid\":2},{\"relid\":3},{\"relid\":8},{\"relid\":9},{\"relid\":11},{\"relid\":12},{\"relid\":13},{\"relid\":24},{\"relid\":25}],\"bgColor\":null,\"cont\":[{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\">VIRGINIE YASSEF<\/p><p>Born in 1970 in Grasse, France<br \/>Lives and works in Paris, France<\/p><p><a href=\\\"mailto:vyassef@hotmail.com\\\">vyassef@hotmail.com<\/a><br \/><a href=\\\"https:\/\/www.instagram.com\/virginie_yassef\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Instagram<\/a><\/p>\",\"align\":\"top\",\"row\":0,\"col\":0,\"colspan\":4,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":15,\"frameOverflow\":\"\"},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\">Inspired by her surroundings, Yassef tries to uncover the strange beauty of the world that surrounds us. Her Scenario Fant\\u00f4me document fragments of this world. Consisting of tiny photographs that are often mounted together, their very name reveals the ethereal and magical quality of these works. Yassef moves through the urban landscape like a ghost randomly stealing \\u201cmoments\\u201d with her lens. Each of these minimal and yet highly eloquent images captures a part of an unfolding story. This sense of anticipation and excitement is also present in her work <em>Passe-Apache<\/em>, a hyper-realist rock that is surprisingly light being made of resin and which can be pushed open to reveal a hidden passage way. Yassef\\u2019s conception of reality always leans towards the action. Indeed her desire to transform reality underlies much of her work. As Yassef declares \\u201cit is important to slow life down; or to speed it up. In any case to give it another quality.\\u201d In her videos simple gestures take on a burlesque appearance and banal street-scenes become poetical. In creating these dream worlds, Yassef challenges us to be more observant. Yassef\\u2019s work often derives out of everyday objects, which she distorts in a playful, yet ironic manner thereby shifting perceptions and confronting preconceived expectations. This is particularly evident in the sculpture <em>Billy Montana<\/em> \\u2013 a combination of Ikea\\u2019s best selling shelving unit\\u00a0\\u2013 Billy, and a brand of spray paint-Montana, both of which lose their original meaning. By using all 58 shelves available in the at-pack, the unit is rendered unusable. The paint, a symbol of rebellion (once the preserve of taggers and graffiti artists), becomes a tool in industrialisation and standardisation. Visually attractive, the absurdity of the useless shelves is not only amusing but also provocative. Yassef, with oddball humour, displays yet again her fascination with the absurd and incongruous.<\/p>\",\"align\":\"middle\",\"row\":0,\"col\":4,\"colspan\":8,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":18,\"frameOverflow\":\"\"},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\">EDITIONS<\/p>\",\"align\":\"top\",\"row\":1,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":6,\"frameOverflow\":\"\"},{\"type\":\"thumbnailgrid\",\"cont\":\"\",\"align\":\"top\",\"row\":2,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":5,\"config\":{\"desktop\":{\"colCount\":5,\"colGutter\":1,\"rowGutter\":2,\"customAspectRatio\":false,\"customAspectRatioW\":16,\"customAspectRatioH\":9,\"customAspectRatioObjectPosition\":\"center center\",\"rowsToShow\":3},\"tablet\":{\"colCount\":3,\"colGutter\":1.5,\"rowGutter\":2,\"customAspectRatio\":false,\"customAspectRatioW\":16,\"customAspectRatioH\":9,\"customAspectRatioObjectPosition\":\"center center\",\"rowsToShow\":3},\"phone\":{\"colCount\":2,\"colGutter\":2.5,\"rowGutter\":4,\"customAspectRatio\":false,\"customAspectRatioW\":16,\"customAspectRatioH\":9,\"customAspectRatioObjectPosition\":\"center center\",\"rowsToShow\":6},\"layoutType\":\"top-aligned\",\"cat_id\":5,\"showAllProjects\":false,\"showAllFilter\":false,\"allFilterText\":\"All\",\"showMoreButton\":false,\"showMoreButtonStyle\":\"laybutton1\",\"moreButtonText\":\"Load More\",\"moreButtonAlignment\":\"center\",\"moreButtonSpaceTop\":20,\"randomorder\":false,\"sortbydate\":false,\"sortbyname\":false,\"sortbymenuorder\":true,\"sortbycustom\":false},\"frameOverflow\":\"\"},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\">TEXTS AND CONVERSATIONS<\/p><p class=\\\"_Default\\\"><a href=\\\"https:\/\/virginieyassef.net\/wp-content\/uploads\/2020\/06\/Entretien_Aude-Lavigne_Virginie-Yassef.pdf\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Conversation with Aude Lavigne<\/a>, 2018. FR<br \/>Nanterre-Amandiers, <em>The Velt [La Savane]<\/em><\/p><p class=\\\"_Default\\\"><a href=\\\"https:\/\/virginieyassef.net\/wp-content\/uploads\/2020\/06\/Texte_Joan-Ayrton_Virginie-Yassef.pdf\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Text by Joan Ayrton<\/a>, 2014. FR<br \/>MAC VAL, <em>Les enfants travaillent pour se r\\u00e9chauffer<\/em><\/p><p class=\\\"_Default\\\"><a href=\\\"https:\/\/virginieyassef.net\/wp-content\/uploads\/2020\/06\/Entretien_Mo-Gourmelon_Virginie-Yassef.pdf\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Conversation with Mo Gourmelon<\/a>, 2014. FR<br \/>Espace Croise\\u0301, Centre d\\u2019art contemporain, Roubaix, <em>lls se de\\u0301placent a\\u0300 la vitesse d\\u2019un me\\u0300tre par seconde !<\/em><\/p><p class=\\\"_Default\\\"><a href=\\\"https:\/\/virginieyassef.net\/wp-content\/uploads\/2020\/06\/Entretien_Emilie-Renard_Virginie-Yassef.pdf\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Conversation with E\\u0301milie Renard<\/a>, 2013. FR\/EN<br \/>LA GALERIE, Noisy-le-Sec, <em>Un mur de sable vient de tomber<\/em><\/p>\",\"align\":\"middle\",\"row\":3,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":7,\"frameOverflow\":\"\"},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\">SOLO EXHIBITIONS<\/p><p class=\\\"_Default\\\">2018<br \/><em>Wow<\/em>, Centre chor\\u00e9graphique national de Caen en Normandie, Caen, France<br \/><em>Vole au Vent<\/em>, Frac Normandie, Caen, France<\/p><p>2016<br \/><em>L\\u2019Objet du doute<\/em>, Th\\u00e9\\u00e2tre des Amandiers, Nanterre, France<\/p><p>2015<br \/><em>Le soleil se fatigua de sa marche et refusa pendant vingt heures sa lumi\\u00e8re aux mortels<\/em>, Le Granit, Belfort, France<\/p><p>2014<br \/><em>Au milieu du Cr\\u00e9tac\\u00e9<\/em>, Galerie GP&amp;N Vallois, Paris, France<br \/><em>Ils se d\\u00e9placent \\u00e0 la vitesse d\\u2019un m\\u00e8tre par seconde !<\/em>, Espace Crois\\u00e9, Centre d'art contemporain, Roubaix, France<br \/><em>A-a-a-ll ri-i-i-ght !<\/em>, La Passerelle \\u2013 Sc\\u00e8ne Nationale de Saint-Brieuc, Saint-Brieuc, France<\/p><p>2013<br \/><em>Le signe singe<\/em>, La Ferme du Buisson, Noisiel, France (with Julien Bismuth)<\/p><p>2012<br \/><em>Un mur de sable vient de tomber<\/em>, La Galerie, Noisy-le-Sec, France<\/p><p>2011<br \/><em>Dialogic<\/em>, Parcours Saint-Germain, H\\u00f4tel Lutetia, Paris, France (with Julien Bismuth)<\/p><p>2010<br \/><em>Co\\u00fbte que co\\u00fbte il nous faut atteindre la rivi\\u00e8re de la queue coup\\u00e9e<\/em>, Le Grand Atelier, \\u00c9cole d\\u2019art de Clermont M\\u00e9tropole, Clermont-Ferrand, France<br \/><em>Pour le r\\u00e9veiller, il suffit d\\u2019un souffle<\/em>, Galerie GP&amp;N Vallois (Project Room), Paris, France<\/p><p>2009<br \/><em>Le Milli\\u00e8me Moustique<\/em>, Galerie GP&amp;N Vallois, Paris, France<\/p><p>2008<br \/><em>Some Magical Clangs<\/em>, CRAC Alsace, Altkirch, France<br \/><em>La seconde est partie la premi\\u00e8re<\/em>, curator: Fabienne Fulch\\u00e9ri, Jeu de Paume, Paris, France<br \/><em>Alloy<\/em>, Galerie Fi:af, New York, \\u00c9tats-Unis<br \/><em>\\u00c0 six soleils de marche<\/em>, curator: Anne Bonin, Espace Nespresso, Paris, France<\/p><p>2007<br \/><em>Alloy<\/em>, Galerie GP&amp;N Vallois, Paris, France<\/p><p>2004<br \/><em>Everything's gonna be alright<\/em>, Galerie GP&amp;N Vallois, Paris, France (with Julien Berthier)<\/p><p>2002<br \/><em>Sauf Accident<\/em>, Galerie GP&amp;N Vallois (Project Room), Paris, France (with Julien Berthier)<br \/><em>Mars Attack<\/em>, Paris Project Room, Paris (with Julie Coutureau)<\/p><p>2001<br \/><em>Blanc d\\u2019Espagne<\/em>, E-Cran, Paris, France (with Julien Berthier)<br \/><em>Demi-D\\u00e9tail-Gros<\/em>, Paris Project Room, Paris, France (with Julien Berthier)<\/p><p>1998<br \/><em>Bubble Bubble<\/em>, Infozone, Paris, France (with Jens Gebhart)<\/p>\",\"align\":\"top\",\"row\":4,\"col\":0,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":14},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\">PLAYS<\/p><p>2018<br \/><em>The Veldt<\/em>, dans le cadre du festival Performance Day #3, La Ferme du Buisson, Noisel, France<\/p><p>2017<br \/><em>Alors que j\\u2019\\u00e9coutais moi aussi la biblioth\\u00e8que Kandinsky<\/em>, La Cri\\u00e9e, Biblioth\\u00e8que Kandinsky, Paris, France<br \/>L\\u2019art au centre, performance, Les 25 ans de D.C.A, Le r\\u00e9seau national des centres d\\u2019art contemporain, Palais de Tokyo, Paris<\/p><p>2016<br \/><em>Moho<\/em>, performance et projection vid\\u00e9o \\u00e0 l\\u2019occasion de l\\u2019exposition Citt\\u00e0 Invisibili, curators: Julia Cistiakova and Ekaterina Shcherbakova, Th\\u00e9\\u00e2tre Jacques C\\u0153ur, Bourges, France<br \/><em>Moho<\/em>, performance et projection vid\\u00e9o \\u00e0 l\\u2019occasion de l\\u2019exposition Welcome to Caveland, Le Parvis, Tarbes, France<\/p><p>2014<br \/><em>Un rocher<\/em> (with Joan Ayrton), Laboratoires d\\u2019Aubervilliers, Aubervilliers, France<br \/><em>Les enfants travaillent pour se r\\u00e9chauffer<\/em>, Mac\/Val, Vitry-sur-Seine, France<\/p><p>2013<br \/><em>Les recherches d\\u2019un chien<\/em>, curator : Le Socle, Parc des Buttes Chaumont, Paris<br \/><em>On a jamais vu de chien faire, de propos d\\u00e9lib\\u00e9r\\u00e9, l\\u2019\\u00e9change d\\u2019un os avec un autre chien (2)<\/em>, La Ferme du Buisson, Noisiel, France and La Ga\\u00eet\\u00e9 Lyrique, Paris, France<br \/><em>Ils traversent les pistes sur des morceaux de tissu pour ne pas laisser de traces<\/em>, La Ferme du Buisson, Noisiel, France and La Gait\\u00e9 Lyrique, Paris, France<br \/><em>On a jamais vu de chien faire, de propos d\\u00e9lib\\u00e9r\\u00e9, l\\u2019\\u00e9change d\\u2019un os avec un autre chien (1)<\/em>, La Galerie, Noisy-le-sec and La Ferme du Buisson, Noisiel, France<\/p><p>2012<br \/><em>Ils traversent les pistes sur des morceaux de tissu pour ne pas laisser de traces<\/em>, La Ga\\u00eet\\u00e9 Lyrique, Paris, France and Th\\u00e9\\u00e2tre de Gennevilliers, France<\/p>\",\"align\":\"top\",\"row\":4,\"col\":7,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":2,\"relid\":17},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\">VIDEO PROGRAMMATION<\/p><p>2018<br \/><em>Wow<\/em>, Centre chor\\u00e9graphique national de Caen en Normandie, Caen, France<\/p><p>2017<br \/><em>L\\u2019arbre<\/em>, Film Screening (invitation Katinha Bock), Londres, Angleterre<\/p><p>2016<br \/><em>Close to me<\/em>, curator: Ana\\u00efd Demir, Palais de Tokyo, Paris, France<\/p><p>2012<br \/><em>Raw Material<\/em>, curator: Albertine de Galbert, Centre Pompidou, Paris, France<br \/><em>Tour de France<\/em>, Public Fiction, curators: Julie Pellegrin and Julien Pr\\u00e9vieux, Los Angeles, \\u00c9tats-Unis<\/p><p>2011<br \/><em>D\\u00e9rives<\/em>, saison vid\\u00e9o, Espace Crois\\u00e9, centre d\\u2019art contemporain, Roubaix, France<br \/><em>Festival Dell\\u2019Economica \\u2013 Notte Verde \\u2013<\/em>, programme Vid\\u00e9o \\u201cCinema take away\\u201d, curator: Alessandro Nassiri, Rovereto, Italie<br \/><em>Saison Vid\\u00e9o \\u00abD\\u00e9rives\\u00bb<\/em>, Espace Crois\\u00e9 centre d\\u2019art contemporain, Roubaix, France<\/p><p>2010<br \/>Rendez-vous\/Events, Espace crois\\u00e9, Centre d\\u2019art contemporain, Roubaix, France<br \/><em>Something: Random<\/em>, Unexpected, Desired, Imagined, Risky, curator: Marco Antonini, Pratt<br \/>Manhattan auditorium, New York, \\u00c9tats-Unis<br \/><em>Vid\\u00e9o-Salon \\u00c9ph\\u00e9m\\u00e8re<\/em>, curators: Pierre Courtin and Baptiste Debombourg, Point \\u00c9ph\\u00e9m\\u00e8re, Paris, France<br \/><em>ResoVision<\/em>, Resonance FM, Frieze Art Fair, Londres, GB<br \/><em>\\fSummer reading<\/em>, curator: Mike Bouchet, The Big Screen, New York, \\u00c9tats-Unis<br \/><em>Spectacle de vari\\u00e9t\\u00e9<\/em>, curator: Erica Yeomans, The Tank, New York, \\u00c9tats-Unis ; The Front gallery, Nouvelle Orl\\u00e9ans, \\u00c9tats-Unis ; Manhattan Cable Channel show, New York, \\u00c9tats-Unis<br \/><em>Art et Film<\/em>, curator: Julien Bismuth, Curated By-Vienna 2010, Layr Wuestenhagen, Vienne, Autriche<br \/><em>12e festival des cin\\u00e9mas diff\\u00e9rents et exp\\u00e9rimentaux de Paris \/ D\\u00e9vorer des yeux<\/em>, Les Vo\\u00fbtes, Paris (avec Julien Pr\\u00e9vieux)<\/p><p>2009<br \/><em>Summer Reading<\/em>, curator: Mike Bouchet, Invisible-Exports, New York, \\u00c9tats-Unis<br \/><em>Ideal #11<\/em>, Espace Crois\\u00e9, Roubaix, France<br \/><em>Short video works from\\u2026<\/em>, curator: Rapha\\u00ebl Zarka, Modern Art Oxford, Oxford, GB<br \/><em>L\\u2019arbre<\/em>, Le Safran, Amiens, France (avec Julien Pr\\u00e9vieux)<br \/><em>Festival Exp\\u00e9rimental 3<\/em>, Osaka, Japon<\/p><p>2008<br \/><em>Fiac cinema<\/em>, curator: dca, Module Palais de Tokyo, Paris, France<br \/><em>Borderline<\/em>, Videospread, Federation square, Melbourne + Souvenir from the earth<br \/><em>Experimental cinema screening series<\/em>, curator: Marie Losier, Issue project room, New York, \\u00c9tatsUnis (avec Julien Pr\\u00e9vieux)<br \/><em>Wow<\/em>, La Vitrine, ENSAPC, Paris, France<br \/><em>City\\u2019s beat<\/em>, Saison vid\\u00e9o #32, divers lieux, France<br \/><em>A snake on a tree<\/em>, curator: Marco Antonini, Diva art Fair White Box Gallery, New York ; Monkeytown, Brooklyn, \\u00c9tats-Unis ; Zentrum Kreuzberg, Berlin, Allemagne<br \/><em>Gong Zhen<\/em>, Talents DVD, curator: Joanna Chevalier, MoCA Shanga\\u00ef, Art Museum Guangzhou, Beijing Today Art Museum, Chine<\/p><p>2007<br \/><em>Art contemporain et sport<\/em>, Emba\/ Galerie Edouard Manet, Th\\u00e9\\u00e2tre de Gennevilliers, Gennevilliers, France<br \/><em>Petites histoires inactuelles<\/em>, commisssaire : Keren Detton, Parc Saint L\\u00e9ger, Pougues-Les-Eaux, France<br \/><em>Singulier, pluriel<\/em>, L\\u2019Atelier, Treffrin, France<br \/><em>Ideal. TV<\/em>, Saison Vid\\u00e9o 2007, Lille, France<br \/><em>Tank.tv<\/em>, Flashback 2007, curator: Mo Gourmelon, Roxy bar and screen, Londres, GB<br \/><em>Television schizophrenia<\/em>, Videospread, TV-TV, Copenhague, Danemark<\/p><p>2006<br \/><em>Dusk<\/em>, Diva Miami Beach 06, Miami, \\u00c9tats-Unis<br \/><em>Modules<\/em>, Palais de Tokyo, Paris, France<br \/><em>Le Bord du Monde<\/em>, curator: Rapha\\u00ebl Zarka, Les Instants Chavir\\u00e9s, Montreuil ; Frac LanguedocRoussillon, Montpellier, France<br \/><em>Two scenes in three acts<\/em>, curator: Veronica Wiman, Teater 3, Stockholm, Su\\u00e8de<br \/><em>Regard sur l\\u2019art-vid\\u00e9o contemporain fran\\u00e7ais<\/em>, Kommunales Kino, Kiel, Allemagne<br \/><em>L\\u2019usage du monde<\/em>, curator: Ana Janevski, Mali Salon, MMSU, Rijeka, Hongrie<\/p><p>2005<br \/><em>Banal Songs<\/em>, curator: Herv\\u00e9 Toby, Saint-Brieuc, France<br \/><em>La Nuit des Mus\\u00e9es, Lumi\\u00e8re(s) dans la nuit<\/em>, Mus\\u00e9e d'art moderne et contemporain, Strasbourg, France<br \/><em>Et le mur lui ob\\u00e9it..., Rien \\u00e0 voir<\/em>, Les Instants Chavir\\u00e9s, Montreuil, France<\/p><p>2003<br \/><em>Ne pas tourner le viseur vers le soleil<\/em>, Centre d\\u2019Art Contemporain, Br\\u00e9tigny, France<\/p><p>2002<br \/><em>No Foot Last Night<\/em>, Zoo Galerie, Nantes, France ; Palais de Tokyo, Paris, France ; Colette, Paris, France ; Mus\\u00e9e des Beaux-Arts, Nigata, Japon<\/p>\",\"align\":\"top\",\"row\":5,\"col\":0,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":20,\"frameOverflow\":\"\"},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\">GROUP EXHIBITIONS<\/p><p>2017<br \/><em>Alors que j'\\u00e9coutais moi aussi David<\/em>, Eleanor, Mariana, Delia, Genk, Jean, Mark, Pierre, Shima,<br \/><em>Simon, Zin et Virginie<\/em>, curating F\\u00e9licia Atkinson, Julien Bismuth, Sophie Kaplan and Yann S\\u00e9randour, La Cri\\u00e9e, Centre d'Art contemporain, Rennes, France<br \/><em>Les choses qui n\\u2019existent plus. Et celles qui manquent<\/em>, Les Bains Douches, espace d\\u2019art contemporain, Chauvigny, France<\/p><p>2016<br \/><em>Nuit de la Philosophie<\/em>, curator: M\\u00e9riem Korichi, Unesco, Paris, France<br \/><em>L\\u2019objet du doute<\/em>, Nuit blanche, curator: Jean de Loisy, Paris, France<br \/><em>Seven Hills<\/em>, curator: Elise Atangana, Biennale de Kampala, Kampala, Ouganda<br \/><em>Citt\\u00e0 Invisibili<\/em>, curators: Julija Cistiakova and Ekaterina Shcherbakova, Th\\u00e9\\u00e2tre Jacques C\\u0153ur, Bourges, France<br \/><em>Welcome to Caveland<\/em>, curator: Philippe Quesne, Le Parvis, Tarbes, France<\/p><p>2015<br \/><em>Lignes (\\u00e9)mouvantes \/ Moving lines<\/em>, La Galerie \\u00e9pisodique, Paris, France<br \/><em>\\u00c9clats<\/em>, Caromb, France<\/p><p>2014<br \/><em>Avec et sans peinture<\/em>, curator: Alexia Fabre, exposition des \\u0153uvres de la collection du MAC\/VAL, Vitry-sur-Seine, France<br \/><em>The Other Sight<\/em>, curator: Julija Cistiakova, C.A.C., Vilnius, Lituanie<br \/><em>Une s\\u00e9dimentation d'images sans image<\/em>, curator: Sally Bonn, Art-cade, Galerie des grands bains douches de la Plaine, Marseille, France<br \/><em>Portrait de \\u00be<\/em>, curator: Alain Bublex, Galerie GP&amp;N Vallois, Paris, France<br \/><em>Histoires sans sorci\\u00e8re<\/em>, curators: Gilles Baume, Laurent Fi\\u00e9vet and Silvia Guerra, La Maison de La vache qui rit, Lons-le-Saunier, France<br \/><em>Art is reality is Art<\/em>, Ma Premi\\u00e8re Galerie, Mus\\u00e9e en Herbe, Paris, France<br \/><em>Black Coffee<\/em>, curator: Camila Oliveira Fairclough, Paris, France<\/p><p>2013<br \/><em>Archeologia<\/em>, Frac Bretagne, Rennes, France<br \/><em>La distance juste<\/em>, curator: Albertine de Galbert, Galerie GP&amp;N Vallois, Paris, France<br \/><em>Capitaine Futur et les super pouvoirs<\/em>, la Ga\\u00eet\\u00e9 Lyrique, Paris, France<br \/><em>L\\u2019arbre qui ne meurt jamais<\/em>, Th\\u00e9\\u00e2tre des Sablons, Neuilly, France<br \/><em>Nuit blanche<\/em>, curators: Chiara Parisi and Julie Pellegrin, Paris, France<\/p><p>2012<br \/><em>Touche \\u00e0 tout<\/em>, Bollag, Space Basel, B\\u00e2le, Suisse<br \/><em>Jamais deux fois pareil (ou presque)<\/em>, Orange Rouge, 6b, Saint-Denis, France<\/p><p>2011<br \/><em>Nuit Blanche<\/em>, curators: Alexia Fabre and Franck Lamy, Paris, France<br \/><em>2000-2011 : Soudain, D\\u00e9j\\u00e0<\/em>, curator: Guillaume D\\u00e9sanges, \\u00c9cole Nationale des Beaux-Arts, Paris, France<br \/><em>Weltraum. Kunst und ein Traum \\u2013 Space. Art and A Dream<\/em>, curator: Catherine Hug, Kunsthalle, Vienne, Autriche<br \/><em>Petite Chasse au Snark<\/em>, Frac Languedoc Roussillon, Montpellier, France<br \/><em>M\\u00e9moires vives, Chapelle vid\\u00e9o #2<\/em>, Mus\\u00e9e d\\u2019art et d\\u2019Histoire de Saint-Denis, Saint-Denis, France<\/p><p>2010<br \/><em>Qui es-tu Peter ?<\/em>, curators: Joanna Chevalier and Herv\\u00e9 Mikaeloff, Espace culturel Louis Vuitton, Paris, France<br \/><em>Aires de jeux, La Police ou les corsaires<\/em>, curator: Vincent Romagny, Le Quartier, Quimper, France<br \/><em>Everyday(s)<\/em>, curators: Fabienne Bernardini and An Schiltz, Casino, Luxembourg<br \/><em>\\fAuteur\/Amateur<\/em>, curator: Julien Bismuth, Layr Wuestenhagen Contemporary, Vienne, Autriche<br \/><em>Chemin faisant... A Walk Around the Block<\/em>, La Ferme du Buisson, Noisiel, France<br \/><em>Le Carillon de Big Ben<\/em>, Centre d\\u2019art contemporain Le Cr\\u00e9dac, Ivry-sur-Seine, France<br \/><em>Coll\\u00e8ge Robinson<\/em>, curator: C\\u00e9cilia Bekanovic, Les Ateliers des Arques, Les Arques, France<\/p><p>2009<br \/><em>La Force de l\\u2019art 02<\/em>, curators: Jean-Louis Froment, Jean-Yves Jouannais and Didier Ottinger, Grand Palais, Paris, France<br \/><em>Plastique Danse Flore<\/em>, Potager du Roi, Ch\\u00e2teau de Versailles, France<br \/><em>Wake up, please<\/em>, Le Quartier, Quimper, France<br \/><em>Dreamtime<\/em>, Les Abbatoirs et Grotte du Mas d\\u2019Azil, Toulouse, France<br \/><em>Le travail de rivi\\u00e8re<\/em>, Centre d\\u2019art contemporain Le Cr\\u00e9dac, Ivry-sur-Seine, France<br \/><em>Ce qui demeure est le futur<\/em>, curators: Catherine Francblin, Barnard Marcad\\u00e9 and B\\u00e9n\\u00e9dicte<br \/><em>Ramade<\/em>, Maison de la culture, Amiens, France<br \/><em>169A2<\/em>, appartement d\\u2019Eric Stephany, Paris, France<\/p><p>2008<br \/><em>... et pour quelques dollars de plus<\/em>, curator: St\\u00e9phane Thidet, Fondation Ricard, Paris, France<br \/><em>Persona<\/em>, Parc Saint L\\u00e9ger Centre d\\u2019art, Pougues-les-Eaux, France<br \/><em>La Poursuite<\/em>, Point \\u00c9ph\\u00e9m\\u00e8re, Paris, France<\/p><p>2007<br \/><em>D\\u00e9rive<\/em>, curator: Mathieu Mercier, Fondation d\\u2019entreprise Ricard, Paris, France<br \/><em>Vite une \\u00e9chelle !<\/em>, Point \\u00c9ph\\u00e9m\\u00e8re, Paris, France<br \/><em>Dadada<\/em>, curators: Pierre Courtin and Hammam Cejvan Cehaja, Mostar, Bosnie-Herz\\u00e9govine<br \/><em>We can\\u2019t be stopped<\/em>, curator: Julie Pellegrin, Galerie Nuke, Paris, France<br \/><em>France<\/em>, La G\\u00e9n\\u00e9rale, Paris, France<br \/><em>Invitation furtive pour candidatures spontan\\u00e9es<\/em>, La Station, Nice, France<br \/><em>The man who shot Liberty Valence<\/em>, La Galerie \\u00c9xt\\u00e9rieure, Truth or Consequences, \\u00c9tats-Unis<br \/><em>Actions suspendues (temps permanent)<\/em>, CRAC Alsace, Altkirch, France (with Aur\\u00e9lie Godard)<\/p><p>2006<br \/><em>La Force de l'Art<\/em>, curator: Bernard Marcad\\u00e9, Grand Palais, Paris, France<br \/><em>Modules<\/em>, Palais de Tokyo, Paris, France<br \/><em>La position du tireur couch\\u00e9<\/em>, curator: Julien Pr\\u00e9vieux, Le Plateau \\u2013 Frac Ile-de-France, Paris, France<br \/><em>Speech Box<\/em>, curator: Veronica Wiman, Teater 3, Stockholm, Su\\u00e8de<br \/><em>Sol Syst\\u00e8me<\/em>, curators: Jean-Max Colard and Patrice Joly, Centre d'art Passerelle, Brest, France<br \/><em>Guet-Apens<\/em>, curator: St\\u00e9phane Tidet, La G\\u00e9n\\u00e9rale, Paris, France<br \/><em>Befremdliche Geschichten \/ \\u00c9tranges Fictions<\/em>, curator: Sophie Kaplan, Schloss Agathenburg, Agathenburg, Allemagne<br \/><em>Au stade et caetera<\/em>, Mus\\u00e9e G\\u00e9o-Charles, \\u00c9chirolles, France<br \/><em>Le Bord du Monde \/ R\\u00e9currences d\\u00e9rob\\u00e9es<\/em>, curator: Rapha\\u00ebl Zarka, B\\u00e9tonsalon, Paris, France<br \/><em>Noir c'est la vie (...comme un polar)<\/em>, Abbaye de Saint-Andr\\u00e9, Meymac, France (with Julien Berthier)<br \/><em>Vid\\u00e9o-salon<\/em>, Galerija10m2, Sarajevo, Bosnie-Herz\\u00e9govine<br \/><em>\\u00c9v\\u00e8nement<\/em>, Trafic FRAC Haute Normandie, Sotteville-les-Rouen, France<br \/><em>Dusk<\/em>, (video), Diva Miami Beach 06, Miami, \\u00c9tats-Unis<\/p><p>2005<br \/><em>Au-del\\u00e0 du Copan, Beyond the Copan - Supernatural Urbanism<\/em>, curators: Martin Grossmann and Carlos Cardenas, Espace Paul Ricard, Paris, France<br \/><em>D\\u00e9riv\\u00e9 - Rendez-vous 2005<\/em>, Biennale de Lyon, curator: Keren Detton, Mus\\u00e9e d\\u2019art contemporain, Lyon, France<br \/><em>Rainbow Pickett<\/em>, B\\u00e9tonsalon, Paris, France<br \/><em>Attention \\u00e0 la Marche (histoires de gestes)<\/em>, curator: Julie Pellegrin, La Galerie, Noisy-Le-Sec, France<br \/><em>1001 nuits, parcours artistique nocturne<\/em>, Strasbourg, France<br \/><em>Timeline vol. 2<\/em>, B\\u00e9tonsalon, Paris, France<br \/><em>Made in Paris : Photo\/vid\\u00e9o<\/em>, The centre of Attention, Londres, GB<\/p><p>2004<br \/><em>Designed in France, made in China, con\\u00e7u en Chine, fabriqu\\u00e9 en France<\/em>, Espace Paul Ricard, Paris, France<br \/><em>Y a-t-il un commissaire pour sauver l\\u2019exposition?<\/em>, Galerie GP&amp;N Vallois, Paris, France<br \/><em>Sportivement v\\u00f4tre<\/em>, Domaine de Chamarande, Chamarande, France<br \/><em>Maison T\\u00e9moins<\/em>, The Store, Paris, France<br \/><em>Futureways : the Middlebourg triennal 2304<\/em>, De Vleeshal, Middleburg, Pays-bas<br \/><em>Beijing de-zoned Paris<\/em>, Le Cube, Issy-les-Moulineaux, France<br \/><em>Time Line<\/em>, The Store, Paris, France<\/p><p>2003<br \/><em>Quitte \\u00e0 sauver le monde, autant le faire avec style<\/em>, The Store, Paris, France<br \/><em>Made in Paris: Photo\/Video<\/em>, curator: Sophie Kaplan, The Centre of Attention, Londres, GB<br \/><em>Home<\/em>, Galerie GP&amp;N Vallois, Paris, France<br \/><em>Children<\/em>, curator: Jos\\u00e9phine Martin, Galerie Corentin Hamel, Paris, France<br \/><em>Ne pas tourner le viseur vers le soleil<\/em>, Centre d\\u2019Art Contemporain, Br\\u00e9tigny, France<\/p><p>2002<br \/><em>No Foot Last Night<\/em>, Zoo Galerie, Nantes, France ; Palais de Tokyo, Paris, France<br \/><em>Voil\\u00e0 la France!<\/em>, Centre Exp\\u00e9rimental d\\u2019Art Contemporain, Cuneo, Italie (with Julien Berthier)<br \/><em>Tactic for a wild quest<\/em>, Artis, Den Bosh, Pays-Bas (with madamemonsieur)<br \/><em>Colette, Paris, France<\/em>, Mus\\u00e9e des Beaux-Arts, Nigata, Japon<br \/><em>Habiter (Salon du design)<\/em>, Les Tuileries, Paris, France (with Julien Berthier)<br \/><em>Wall to wall fire<\/em>, (performance) Galerie Corentin Hamel, Paris, France<\/p><p>2001<br \/><em>Sinc\\u00e8res f\\u00e9licitations<\/em>, ENSBA, Paris, France (with Julien Berthier)<br \/><em>Voisins Voisines<\/em>, Glassbox, Paris, France (with Julien Berthier)<br \/><em>Julien Berthier and special Guest<\/em>, FW-Galerie, Cologne, Allemagne<br \/><em>Mars Attack<\/em>, Paris Project Room, Paris, France (with Julie Coutureau)<br \/><em>Le bonheur 2001<\/em> (soir\\u00e9e d\\u00eener-video-karaok\\u00e9), Paris, France (with Anna Adahl)<\/p><p>2000<br \/><em>Rita McBride\\u2019s Werkshow<\/em>, Kunsthalle, Baden-Baden, Allemagne<br \/><em>Dynamic City<\/em>, Fondation pour l\\u2019Architecture, Bruxelles, Belgique<br \/><em>To be announced<\/em>, curator: Rita McBride, Neuer Aachener Kunstverein, Aix-la-Chapelle, Allemagne<br \/><em>Com\\u00e9die<\/em>, Collectif Mix, Paris, France (with Julien Berthier)<\/p><p>1999<br \/><em>Zac 99<\/em>, MNAM, Paris, France<br \/><em>Bourse Colin-Lefranc<\/em>, Lehman College, New York, \\u00c9tats-Unis<br \/><em>Fire Escape 2<\/em>, J. Mandle Performance, New York, \\u00c9tats-Unis<br \/><em>Spiderman<\/em>, New York, \\u00c9tats-Unis (Video-dance with Jimena Paz)<br \/><em>M\\u00e9t\\u00e9or<\/em>, Purple Institute-RATP, Paris, France<\/p><p>1998<br \/><em>Bubble Bubble<\/em>, Infozone, Paris, France (with Jens Gebhart)<br \/><em>Printemps\/Octobre 98, Non Factur\\u00e9<\/em>, Magasin Printemps-Italie 2, Paris, France<br \/><em>R\\u00e9veillons-nous<\/em>, Paris, France<\/p>\",\"align\":\"top\",\"row\":5,\"col\":7,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":2,\"relid\":16},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\">GRANTS \/ SCHOLARSHIP \/ RESIDENCIES<\/p><p>2016<br \/>R\\u00e9sidence en Laponie (CNAP)<\/p><p>2015<br \/>R\\u00e9sidence, Eclats, Coromb, France<\/p><p>2014<br \/>R\\u00e9sidence, Cr\\u00e9dac, Centre d'Art Contemporain, Ivry-sur-Seine, France<\/p><p>2010<br \/>R\\u00e9sidence, Les Ateliers des Arques, Les Arques, France<\/p><p>2006<br \/>Bourse individuelle \\u00e0 la cr\\u00e9ation de la Direction r\\u00e9gionale des affaires culturelles d\\u2019Ile-de-France, France<br \/>Laur\\u00e9ate du programme de r\\u00e9sidence AFAA - Ville de Paris<br \/>R\\u00e9sidence, Location One, New York, Etats-Unis<\/p><p>2005<br \/>Aide au projet, Ville de Paris<\/p><p>2004<br \/>R\\u00e9sidence, Quartier Museums, Vienne, Autriche<\/p><p>2003<br \/>Programme \\u00ab La Seine \\u00bb, \\u00c9cole nationale des Beaux-Arts, Paris, France<br \/>R\\u00e9sidences \\u00e0 P\\u00e9kin, Chine et Sao Paolo, Br\\u00e9sil<\/p><p>2000<br \/>Bourse Colin-Lefranc, Lehman College, New York, \\u00c9tats-Unis<\/p>\",\"align\":\"top\",\"row\":6,\"col\":0,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":22},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\"><b class=\\\"b4\\\">CURATING<\/b><\/p><p>2011<br \/><em>Partenaires particuliers<\/em>, curators: Virginie Yassef and Sophie Kaplan, Crac Alsace, Altkirch, France<\/p>\",\"align\":\"top\",\"row\":6,\"col\":7,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":2,\"relid\":21},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\">PUBLIC COLLECTIONS<\/p><p>FRAC Basse-Normandie<br \/>MAC\/VAL, Vitry-sur-Seine<br \/>Frac Languedoc-Roussillon, Montpellier<br \/>Frac Ile-de-France, Paris<br \/>FNAC, Fonds National d\\u2019Art Contemporain, Paris<br \/>Conseil g\\u00e9n\\u00e9ral de la Seine-Saint-Denis<\/p>\",\"align\":\"top\",\"row\":7,\"col\":0,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":23},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\">BIBLIOGRAPHY<\/p><p class=\\\"_Large\\\">Catalogues<\/p><p>2013<br \/><em>La distance juste<\/em>, cat. exp., Galerie GP&amp;N Vallois, Paris<br \/><em>L\\u2019arbre qui ne meurt jamais<\/em>, cat. exp., Th\\u00e9\\u00e2tre des Sablons, Neuilly<\/p><p>2012<br \/><em>Que faire des tissus de mammouth retrouv\\u00e9s en 1994<\/em>, (224), livre d\\u2019artiste publi\\u00e9 \\u00e0 l\\u2019occasion de l\\u2019exposition \\u00abUn mur de sable vient de tomber\\u00bb, La galerie, Noisy-le-Sec, France<\/p><p>2011<br \/><em>2001-2011 : Soudain, D\\u00e9j\\u00e0<\/em>, sous la direction de Guillaume D\\u00e9sanges, cat. exp., Beaux-arts de Paris les \\u00e9ditions, pp.198-203<br \/><em>Dossier Robinson<\/em>, cat. exp., curator: C\\u00e9cilia Becanovic, Les Ateliers des Arques, \\u00c9ditions B42<br \/><em>Weltraum. Kunst und ein Traum \\u2013 Space. Art and A Dream<\/em>, (texte) Cath\\u00e9rine Hug, cat. exp. Kunsthalle wien, Verlag f\\u00fcr moderne Kunst N\\u00fcrnberg, pp.259-261<br \/><em>\\u00c9tait-il un \\u00eatre broyeur ou s\\u00e9cateur\\u00a0?<\/em>, livre d\\u2019artiste publi\\u00e9 \\u00e0 l'occasion de l'exposition \\u00abCo\\u00fbte que co\\u00fbte il nous faut atteindre la rivi\\u00e8re de la queue coup\\u00e9e\\u00bb, Le Grand Atelier, \\u00c9cole d\\u2019art de Clermont M\\u00e9tropole, Clermont-Ferrand, France<\/p><p>2010<br \/><em>Everyday(s)<\/em>, (texte) An Schiltz, Fabienne Bernardini, cat. exp. Casino Luxembourg, pp.36-39<br \/><em>Le travail de rivi\\u00e8re<\/em>, cat. exp. Centre d\\u2019art contemporain d\\u2019Ivry \\u2013 Le Cr\\u00e9dac, \\u00e9d. Analogues<br \/><em>Auteur\/Amateur<\/em>, cat. exp., curator: Julien Bismuth, Layr Wuestenhagen, Vienne, Autriche, pp.54-55<br \/><em>Qui es-tu Peter\\u00a0?<\/em>, cat. exp., Espace culturel Louis Vuitton, Paris, France, pp.32-33<\/p><p>2009<br \/><em>La Force de l\\u2019art #02. La Triennale de l\\u2019art en France<\/em>, (textes) Jean-Louis Froment, Jean-Yves Jouannais, Didier Ottinger cat. exp., \\u00e9d. RMN, Paris, pp. 106-107<br \/><em>Ce qui demeure est le futur<\/em>, Collection moderne et contemporaine du Mus\\u00e9e de Picardie, (texte) Catherine Francblin, \\u00e9d. Maison de la culture, Mus\\u00e9e de Picardie, Amiens, France, pp. 116-119<\/p><p>2008<br \/>V<em>irginie Yassef, la seconde est partie la premi\\u00e8re<\/em>, cat. exp., (textes) Julien Bismuth et Edwige Baron, \\u00e9d. Jeu de Paume, Paris<br \/><em>Virginie Yassef les \\u00e9parpill\\u00e9s<\/em>, (textes) Sophie Kaplan et Keren Detton, cat. exp., \\u00e9d. CRAC Alsace, Altkirch, France<\/p><p>2007<br \/><em>D\\u00e9rive<\/em>, (texte) Mathieu Mercier, cat. exp. \\u00e9d. Fondation d\\u2019Entreprise Ricard, np<br \/><em>AF21.1<\/em>, Art France 1990-2007, Cornette de Saint-Cyr, \\u00e9d. Particules, p.64<\/p><p>2006<br \/><em>Befremdliche Geschichten \/ \\u00c9tranges Fictions<\/em>, (texte) Sophie Kaplan, cat. exp. Schloss Agathenburg, Agathenburg, Allemagne<\/p><p>2005<br \/><em>Attention \\u00e0 la marche<\/em>, cat. exp. La Galerie, Noisy-Le-Sec, France<br \/><em>Au-Del\\u00e0 du Copan, Supernatural Urbanism<\/em>, cat. exp. \\u00c9cole Nationale sup\\u00e9rieure des Beaux-Arts, Espace Paul Ricard Paris, France<\/p><p>2004<br \/><em>Dot Book<\/em>, \\u00e9ditions Schlebbr\\u00fcgge, Vienne, Autriche (livre d'artiste)<br \/><em>Sportivement v\\u00f4tre<\/em>, (texte) Jean-Marc Huitorel, cat. exp. Domaine de Chamarande, France<\/p><p>2003<br \/><em>Designed in France, made in China, con\\u00e7u en Chine, fabriqu\\u00e9 en France<\/em>, Espace Paul Ricard, Paris, France<\/p><p>2002<br \/><em>Sauf Accident<\/em>, Julien Berthier &amp; Virginie Yassef, cat. exp. \\u00e9d. Galerie GP&amp;N Vallois, Paris, et \\u00c9cole Nationale sup\\u00e9rieure des Beaux-Arts, Paris, France<\/p><p class=\\\"_Large\\\">\\fPress articles<\/p><p>2015<br \/>\\u00c9ric Loret, <em>\\u00abVirginie Yassef, l\\u2019objet du doute, 2013\\u00bb<\/em>, in Artpress, p.75, novembre<\/p><p>2014<br \/>n.s., <em>\\u00abVirginie Yassef\\u00bb<\/em>, in Mousse Magazine, n\\u00b042, f\\u00e9vrier-mars, pp.253-254<br \/>Orianne Hidalgo-Laurier, <em>\\u00abUnivers parall\\u00e8les. L\\u2019exposition de Virginie Yassef\\u00bb<\/em>, in Mouvement.net, 26 f\\u00e9vrier<br \/>n.s., <em>\\u00abVirginie Yassef. Ils se d\\u00e9placent \\u00e0 la vitesse d\\u2019un m\\u00e8tre par seconde! Espace Crois\\u00e9, Roubaix\\u00bb<\/em>, in Moussemagazine.it, 19 f\\u00e9vrier<br \/>Guillaume Beno\\u00eet, <em>\\u00abVirginie Yassef \\u2013 Galerie G.-P. &amp; N. Vallois\\u00bb<\/em>, in Slash-paris.com, 2 f\\u00e9vrier<br \/>Beno\\u00eet Blanchard, <em>\\u00abVirginie Yassef\\u00a0: Au milieu du Cr\\u00e9tac\\u00e9, Galerie Vallois\\u00bb<\/em>, in \\u0153uvre-revues.net, 1er f\\u00e9vrier<br \/>Pascaline Vall\\u00e9e, <em>\\u00abL\\u2019\\u0153uvre se donne en spectacle\\u00bb<\/em>, in ArtsMagazine, f\\u00e9vrier, pp.70-72<br \/>Catherine Rigollet, <em>\\u00abVirginie Yassef. Au milieu du Cr\\u00e9tac\\u00e9\\u00bb<\/em>, in Lagoradesarts.fr, f\\u00e9vrier<br \/>n.s., <em>\\u00abLes vernissages du mois de janvier 2014\\u00bb<\/em>, in Slash-paris.com, 7 janvier<br \/>Ekaterina Shcherbakova, <em>\\u00abReview of Virginie Yassef: Au milieu du Cr\\u00e9tac\\u00e9, Galerie Vallois, Paris\\u00bb<\/em>, in Aestheticamagazine.com, janvier<br \/>Isabelle Lema\\u00eetre, <em>\\u00abL\\u2019art au f\\u00e9minin, \\u00e7a existe\\u00bb<\/em>, in Flux News, n\\u00b064, avril-mai-juin, p.10<\/p><p>2013<br \/>B\\u00e9n\\u00e9dicte Ramade, <em>\\u00abL\\u2019artiste Virginie Yassef travaille sur des installations plus mobiles qu\\u2019immobiles\\u00bb<\/em>, in Creative.arte.tv.fr, 17 f\\u00e9vrier<br \/>n.s., <em>\\u00abNuit Blanche Paris 2013\\u00bb<\/em>, in Parisvudeparis.canalblog.com, 6 octobre<br \/>n.s., <em>\\u00abNuit Blanche \\u2013 Les oeuvres : Notre s\\u00e9lection\\u00bb<\/em>, in Timeout.fr, 5 octobre<br \/>Sarah Lecoeuvre, <em>\\u00abNuit Blanche 2013 \\u00e0 Paris\\u00a0: le programme par arrondissement\\u00bb<\/em>, in L\\u2019express.fr, 5 octobre<br \/>n.s., <em>\\u00abNuit Blanche\\u00a0: Virginie Yassef investit la rue des Cascades\\u00bb<\/em>, in Paris.fr, 2 octobre<br \/>n.s, <em>\\u00abJulien Bismuth et Virginie Yassef, Le signe singe\\u00bb<\/em>, in La Ferme du Buisson Sp\\u00e9cial \\u00c9t\\u00e9, juillet<br \/>Julie Portier, <em>\\u00abRER \\u2013 Art \\u2013 RER \\u2013 Art\\u00bb<\/em>, in Le Quotidien de l\\u2019art, n\\u00b0 399, 14 juin, p.14<br \/>Patrica Maincent, <em>\\u00abVirginie Yassef \\u2013 Peaux d\\u2019animaux et phrases de journaux : sc\\u00e9nario fant\\u00f4me \\u00e0 Noisy-le-Sec\\u00bb<\/em>, in Standard, n\\u00b038, printemps, p.104,<br \/>Sarah Ilher-Meyer, <em>\\u00abVirginie Yassef \/ La Galerie \\u2013 Noisy-Le-Sec\\u00bb<\/em>, in ArtPress, n\\u00b0397, f\\u00e9vrier, p.24<br \/>n.s., <em>\\u00abSens dessus dessous\\u00bb<\/em>, in Mouvement, janv-f\\u00e9v, p.127<br \/>C\\u00e9line Piettre, <em>\\u00abL\\u2019Enfance de l\\u2019Art de Virginie Yassef\\u00bb<\/em>, in Blouinartinfo.com, 21 janvier<br \/>Caroline Hancock, <em>\\u00abVirginie Yassef, La Galerie, Centre d\\u2019Art Contemporain\\u00bb<\/em>, in Artforum, janvier<\/p><p>2012<br \/>n.s., <em>\\u00abVernissages : Virginie Yassef\\u00bb<\/em>, in Les Inrockuptibles, n\\u00b0888, d\\u00e9cembre, p.108<br \/>Sarah Bosquet, <em>\\u00abCapitaine Futur, d\\u00e9couvertes impures\\u00bb<\/em>, in Lib\\u00e9rationnext.fr, 12 avril<\/p><p>2011<br \/>n.s., <em>\\u00abInstallation Virginie Yassef\\u00a0: Fossile pour de faux\\u00bb<\/em>, in Lib\\u00e9ration, 1-2 octobre<br \/>Annabelle Gugnon, <em>\\u00abTreize artistes contemporains pr\\u00e9sentent leur vision du mythe de Peter Pan\\u00bb<\/em>, in Art21, n\\u00b0319, janvier<br \/>Virginie Yassef, <em>\\u00abVirginie Yassef\\u00bb<\/em>, in Saison Vid\\u00e9o, n\\u00b034, p.86<\/p><p>2010<br \/>Judica\\u00ebl Lavrador, <em>\\u00abElephant woman\\u00bb<\/em>, in Les Inrockuptibles, n\\u00b0776, 13 octobre, p.109<br \/>Rozenn Canevet, <em>\\u00abDonjons et dragons\\u00bb<\/em>, in 02, n\\u00b055, Automne, p.63<\/p><p>2009<br \/>Sophie Kaplan, <em>\\u00abBestiaire n\\u00b01 : Aranae\\u00bb<\/em>, in Novo, n\\u00b05, novembre, p.27<br \/>Fr\\u00e9d\\u00e9ric Bonnet, <em>\\u00abLa Force de l\\u2019art\\u00bb<\/em>, in Le Journal des arts, n\\u00b0303, 15 au 28 mai, p.11<br \/>Fabrice Reymond, <em>\\u00abVirginie Yassef, Scenarii de l\\u2019\\u00e9trange\\u00bb<\/em>, in Beaux-Arts Magazine, hors-s\\u00e9rie\\u00a0: La Force de l\\u2019art 02, mai, p.39<br \/>H\\u00e9l\\u00e8ne Mugnier, <em>\\u00abLa Force de l\\u2019art : et vous trouvez \\u00e7a dr\\u00f4le\\u00a0?\\u00bb<\/em>, in Arts Magazine, n\\u00b034, mai 2009, pp.18-19<br \/>Damien Sausset, <em>\\u00abDans les ateliers de La Force de l\\u2019art\\u00bb<\/em>, in Connaissance des arts, n\\u00b0671, mai, pp.60-67<br \/>Fr\\u00e9d\\u00e9ric Bonnet, <em>\\u00abS\\u00e9dimentation de la m\\u00e9moire\\u00bb<\/em>, in Le Journal des arts, n\\u00b0297, 20 f\\u00e9vrier-5 mars, p.13<br \/>Elisabeth Couturier, <em>\\u00abVirginie Yassef : La Griffe du Temps\\u00bb<\/em>, in Paris Match, 7-13 mai, pp.34-35<\/p><p>2008<br \/>Catherine Francblin, <em>\\u00abSu-Mei Tse et Virginie Yassef\\u00bb<\/em>, in Artpress , n\\u00b0350, novembre, pp.100-101<br \/>Nathalie Amae, <em>\\u00abM\\u00e9tamorphose du r\\u00e9cit\\u00bb<\/em>, in Connaissance des Arts , n\\u00b016, juin-ao\\u00fbt<br \/>Violaine Boutet de Monvel, <em>\\u00abViriginie Yassef, Jeu de Paume \\u2013 Paris\\u00bb<\/em>, in Flash Art, Vol. XL1, n\\u00b0262, octobre, p.139<br \/>n.s., <em>\\u00abVirginie Yassef\\u00bb<\/em>, in Les Inrockuptibles , n\\u00b0659, 15-21 juillet, p.76<\/p><p>2007<br \/>Anne-Laure Griveau, <em>\\u00ab\\u00c7a va nous faire grandir\\u00a0!\\u00bb<\/em>, in DS magazine, n\\u00b0115, septembre, p.23<br \/>Isabelle Lema\\u00eetre, <em>\\u00abTendance science-fiction\\u00bb<\/em>, in Flux News, avril-mai-juin, p.3<br \/>Vivian Rehberg, <em>\\u00abVirginie Yassef and Vincent Lamouroux\\u00bb<\/em>, in Artforum.com, avril<br \/>Julie Leveau, <em>\\u00abVirginie Yassef. Alloy\\u00bb<\/em>, in Modzik, printemps, p.74<br \/>B\\u00e9r\\u00e9nice Bailly, <em>\\u00abVirginie Yassef et Vincent Lamouroux\\u00bb<\/em>, in Le Monde, 31 mars, p.30<br \/>Val\\u00e9rie de Maulmin, <em>\\u00abVincent Lamouroux, du sol au plafond\\u00bb<\/em>, in Connaissance des Arts, mars, n\\u00b0 647, p.138<br \/>Julie Boukobza, <em>\\u00abInstallations dynamog\\u00e8nes\\u00bb<\/em>, in L\\u2019Officiel, n\\u00b0913, mars, p.130<\/p><p>2006<br \/>Isabelle de Visscher-Lema\\u00eetre, <em>\\u00abSol System\\u00bb<\/em>, in Art 21, n\\u00b09, automne, pp.68-69<br \/>Ana\\u00ebl Pigeat, <em>\\u00abGuet-Apens \\u00e0 la G\\u00e9n\\u00e9rale\\u00bb<\/em>, in 02, automne, p.46<br \/>Alain Berland, <em>\\u00abGuet-Apens \\u00e0 la G\\u00e9n\\u00e9rale\\u00bb<\/em>, in Particules, octobre-novembre, n\\u00b016, p.2<br \/>Julia Peker, <em>\\u00abGuet-apens\\u00bb<\/em>, in Paris-art.com, juin<\/p><p>2004<br \/>Marguerite Pilven, <em>\\u00abJulien Berthier &amp; Virginie Yassef, Everything\\u2019s Gonna Be all Right\\u00bb<\/em>, in Paris-art.com, juin<br \/>Emmanuelle Lequeux, <em>\\u00abEn attendant la machine \\u00e0 am\\u00e9liorer le monde\\u2026\\u00bb<\/em>, in Aden, n\\u00b0215, 3-9 juillet<br \/>n.s., <em>\\u00abTodo va bene\\u00bb<\/em>, in Zurban, n\\u00b0203, 14-20 juillet, p.49<\/p><p>1998<br \/>E. Gall, <em>\\u00abRentr\\u00e9e des artistes\\u00bb<\/em>, in Nova Magazine, octobre, p.16<\/p>\",\"align\":\"top\",\"row\":7,\"col\":7,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":2,\"relid\":19},{\"type\":\"text\",\"cont\":\"<p style=\\\"text-align: center;\\\">Website <a href=\\\"https:\/\/rochdeniau.com\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Roch Deniau<\/a><\/p>\",\"align\":\"top\",\"row\":8,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":4,\"frameOverflow\":\"\"},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Large\\\" style=\\\"text-align: center;\\\"><span class=\\\"_Top\\\">TOP<\/span><\/p>\",\"align\":\"top\",\"row\":9,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":10,\"frameOverflow\":\"\",\"isscrolltotop\":true}]}","phonegrid":"","_links":{"self":[{"href":"https:\/\/virginieyassef.net\/en\/wp-json\/wp\/v2\/pages\/77","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/virginieyassef.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/virginieyassef.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/virginieyassef.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/virginieyassef.net\/en\/wp-json\/wp\/v2\/comments?post=77"}],"version-history":[{"count":0,"href":"https:\/\/virginieyassef.net\/en\/wp-json\/wp\/v2\/pages\/77\/revisions"}],"wp:attachment":[{"href":"https:\/\/virginieyassef.net\/en\/wp-json\/wp\/v2\/media?parent=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}